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Subject: OBSERVATOR Cultural
Date: Wed, 16 Jan 2008 17:55:58 +0200
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD><TITLE>Untitled</TITLE>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1"><LINK=20
href=3D"http://www.observatorcultural.ro/observator.css" type=3Dtext/css =

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<META content=3D"MSHTML 6.00.6000.16587" name=3DGENERATOR></HEAD>
<BODY aLink=3D#000000 bgColor=3Dwhite><BR>
<TABLE cellSpacing=3D0 cellPadding=3D0 width=3D"98%" border=3D0>
  <TBODY>
  <TR>
    <TD vAlign=3Dtop>
      <DIV align=3Dright><A =
href=3D"http://www.observatorcultural.ro/sumar.phtml"=20
      target=3Drmain><FONT face=3DArial color=3D#887448 size=3D1>&lt;=20
      inapoi</FONT></A></DIV><A name=3D19138></A><FONT face=3DArial =
color=3D#887448=20
      size=3D4><B>
      <DIV align=3Dcenter>=84Prin romanul sau, Simion Liftnicul, Petru =
Cimpoesu a=20
      deschis larg poarta literaturii romane in =
Cehia=93</DIV></B></FONT><BR><FONT=20
      face=3DArial color=3D#887448 size=3D2><B>
      <DIV align=3Dcenter>Interviu cu Ji=A1ri=20
      Na=A1sinec</DIV></B></FONT>&nbsp;&nbsp;&nbsp;<FONT face=3DArial =
color=3Dblack=20
      size=3D2>
      <DIV align=3Dcenter>Eugenia BOJOGA</DIV></FONT><BR><FONT =
face=3DArial=20
      color=3Dblack size=3D2>
      <DIV align=3Djustify>Petru Cimpoesu a deschis larg poarta =
literaturii romane=20
      in Cehia=93. Interviu cu Ji&#711;ri Na&#711;sinec, traducator si =
profesor la catedra=20
      de limba romana a Facultatii de Litere a Universitatii Caroline =
din=20
      Praga<BR><BR>Stimate domnule Ji&#711;ri Na&#711;sinec, in 2007 ati =
publicat doua=20
      traduceri importante din literatura romana: Simion Liftnicul. =
Roman cu=20
      ingeri si moldoveni de Petre Cimpoesu si Memoriile lui Mircea =
Eliade.=20
      Ambele volume au beneficiat de o receptare foarte buna, fiind =
amplu=20
      mediatizate in presa si la televiziune. <BR>intr-adevar, =
Pame&#711;ti vin sa=20
      intregeasca imaginea lui Mircea Eliade in Cehia, de aceea =
=84memoriile=93 au=20
      fost imediat consemnate de presa literara, iar romanul lui Petru =
Cimpoesu,=20
      Simion Vy=B4taz&#711;n=EDk. Rom=E1n o and=EAl=EDch a Moldavanech, =
a fost lansat in cadrul=20
      Tirgului International de Carte defasurat in luna mai la Praga, in =

      prezenta autorului, care a fost invitat si la =
televiziune.<BR><BR><B>Roman=20
      popular, roman-parabola</B><BR>De ce credeti ca romanul lui =
Cimpoesu a=20
      avut un succes atit de mare la public?<BR>in roman sint scene =
despre care=20
      putem spune ca le-am trait pe propria noastra piele: politicieni =
versatili=20
      care trec de la un partid la altul, smecheri ambulanti care-ti =
ofera fel=20
      de fel de aparate miraculoase care nu-s de fapt bune de nimic =
misuna si in=20
      depresiunea Cehiei, multi concetateni au ajuns la sapa de lemn=20
      investindu-si economiile de o viata intreaga in fondul Futurum =
Aurum=20
      infiintat de un escroc rus care promitea valorificarea in =
proportie de 40%=20
      a depunerilor etc. Deci e vorba de niste situatii-model, parca =
trase la=20
      xerox, prin care am trecut intr-o masura mai mica sau mai mare noi =
toti,=20
      cobaii tranzitiei din lumea postcomunista (comunismul fiind cel =
mai=20
      intortocheat drum de la capitalism la capitalism). Asa ca nu e de =
mirare=20
      ca cititorii cehi s-au putut identifica cu personajele lui Petru =
Cimpoesu.=20
      in plus, umorul ajuta la exorcizarea demonilor, iar risul ajuta la =

      vindecarea ranilor sufletesti... Asa cum stiti, si noi avem o =
bogata=20
      traditie umoristica, insa in ultimii ani =96 probabil sub =
influenta=20
      stupiditatilor made in USA difuzate zi de zi de posturi TV private =
=96=20
      umorul devine din ce in ce mai trivial si lipsit de fundalul =
filozofic. Si=20
      deodata apare Simion Liftnicul, un veritabil =84mercedes=93 in =
categoria sa,=20
      carte care, pe de o parte, se citeste ca un roman popular, pe de =
alta=20
      parte, si ca un roman-parabola din cea mai buna traditie a =
romanului=20
      filozofic, fiind accesibila cititorului de orice nivel cultural, =
fiecare=20
      gasind in ea ceea ce vrea. Or, tocmai aici trebuie, dupa parerea =
mea,=20
      cautata cheia succesului pe care a avut-o Liftnicul in tara =
orfanilor lui=20
      Jaroslav Hasek. <BR>Meritul principal al domnului Cimpoesu =96 cel =
putin=20
      pentru noi, iubitori donquijotisti ai culturii romanesti =96 =
consta in=20
      faptul ca prin romanul sau a deschis larg poarta literaturii =
romane in=20
      Cehia. Daca as calcula bine, in momentul de fata se lucreaza la =
sapte=20
      traduceri din literatura romana, lasind la o parte operele unor =
autori=20
      care s-au facut cunoscuti prin intermediul limbilor de circulatie=20
      mondiala, cum ar fi Matilda Ghyka, Norman Manea s.a. Stiu ca Le =
Nombre=20
      d=91or urmeaza sa apara zilele astea la Editura pragheza=20
      Argo.<BR><BR><B>Umor amarui, bine cunoscut =
cehilor</B><BR>Referitor la=20
      Petru Cimpoesu, cred ca dovada cea mai buna o constituie Premiul =
Magnesia,=20
      care pentru prima data in 2007 a fost acordat unei carti straine, =
adica=20
      traducerii pe care ati facut-o. <BR>Competitia a fost foarte dura, =

      deoarece au participat 62 de volume. Pentru fiecare categorie a =
fost=20
      formata cite o comisie din sase persoane, iar in sectia de =
traduceri=20
      cartile au fost impartite dupa limbi; de exemplu, limbile =
romanice, cele=20
      germanice, slave etc. Apoi s-a facut o preselectie, iar in =
momentul in=20
      care fiecare comisie a ajuns la trei nominalizari, s-au intrunit =
toti=20
      membrii celor noua comisii si au citit cartile propuse spre =
premiere.=20
      Acest lucru dureaza de obicei cam doua luni, fiindca membrii =
juriului=20
      trebuie sa citeasca cel putin 30 de volume.<BR>Asadar, =
cistigatoare a=20
      Premiului Magnesia Litera, desemnata drept carte a anului 2007, =
Simion=20
      Liftnicul si-a epuizat tirajul din librarii foarte repede... =
<BR>Asta si=20
      din considerentul ca in presa literara ceha au aparut comentarii =
de-a=20
      dreptul elogioase. Bunaoara, Alice Hor=E1c&#711;kov=E1 nota in =
Mlad=E1 fronta din 23=20
      aprilie 2007: =84Inspirata din actualitatea romaneasca, povestirea =
a carei=20
      actiune se desfasoara intr-un bloc cu 8 etaje se combina perfect =
cu=20
      calitatile de roman si de traducere desavirsite. in mod inteligent =
si=20
      autoironic, fara elemente isterice, autorul descrie tranzitia =
societatii=20
      romanesti comuniste spre cea de consum extrem, tranzitie ce =
seamana mult=20
      cu cea ceha. in acest sens, Simion Liftnicul este, de fapt, un =
roman=20
      romanesc, dar in acelasi timp si un roman ceh=93. <BR><BR>imi =
permit sa=20
      citez un fragment mai mare din prestigioasa revista Ty=B4den, care =
ii=20
      apartine cunoscutului critic literar Pavel Mandys, din 2 aprilie =
2007: =84Un=20
      cititor laic (nespecialist) nu are curajul sa aprecieze nivelul=20
      traducerii, iar nivelul textului este pur si simplu de invidiat. =
Un roman=20
      atit de stratificat si complex despre viata contemporana in =
literatura=20
      ceha a aparut ultima oara in 1994, cind J=E1chym Topol a publicat =
romanul=20
      Sestra (Sora). Citindu-l pe Cimpoesu, sintem tentati sa-l comparam =
uneori=20
      cu Karel Pol=E1c&#711;ek, alteori cu Thomas Bernhard. Cu primul, =
Cimpoesu ar avea=20
      in comun entuziasmul personajelor de provincie, cu al doilea, =
subminarea=20
      perfecta si dispretuitoare a tuturor capriciilor, miturilor si =
iluziilor=20
      nationale. Se pare ca problema este asemanatoare in mai multe =
tari: cu cit=20
      oamenii sint mai lenesi, mai needucati si mai incapabili (si, ca =
rezultat,=20
      in majoritate sint nemultumiti de viata lor sociala si privata), =
cu atit=20
      pentru ei are o importanta mai mare identitatea colectiva si, mai =
ales,=20
      poporul. Cititorul ceh ii poate fi recunoscator autorului pentru =
faptul ca=20
      reuseste sa surprinda cu umor si in mod perfect aceasta tendinta, =
in=20
      scadere, dar totusi inca evidenta, a societatii postcomuniste, in =
timp ce=20
      nimeni dintre cehi n-a reusit. De fapt, nici nu prea s-a =
incercat=93. De=20
      altfel, nivelul excelent al traducerii a fost consemnat de =
Libus&#711;e=20
      Valentov=E1, care in doua comentarii publicate in revistele =
Respekt (4 iunie=20
      2007) si Mosty (3 iulie 2007) a remarcat, pe linga valoarea =
propriu-zisa a=20
      textului original, si faptul ca versiunea ceha denota calitati=20
      exceptionale, fiind citita cu sufletul la gura, fara sa-ti dai =
seama ca=20
      este vorba de o traducere. in acest context, cum l-ati descoperit =
pe=20
      Cimpoesu?<BR><BR>Stateam pe terasa Teatrului National din =
Bucuresti cu=20
      prietenul meu Vlad Zografi, cu Mariana Codrut si alti scriitori, =
in=20
      primavara anului 2005, in timpul Tirgului de Carte. La un moment =
dat s-a=20
      apropiat de noi un domn foarte simpatic, cu mustata, si mi-a dat o =
carte=20
      spunind ceva de genul: =84S-ar putea sa va intereseze..=93. Peste =
un an, cind=20
      am ajuns sa o citesc, mi-am dat seama ca trebuie sa o traduc =
imediat in=20
      ceha. Are un acut simt al ironiei, un fel de umor putin amarui =
bine=20
      cunoscut si cehilor... Or, in opinia lui Kundera, acest simt al =
umorului=20
      este specific pentru popoarele care, in loc sa creeze istoria, o =
suporta=20
      cu ajutorul ironiei...<BR>Credeti ca succesul acestui roman al lui =

      Cimpoesu a contribuit la o mai buna cunoastere a literaturii =
romane in=20
      Cehia?<BR>Daca am considera ca orice traducere contribuie la =
crearea unei=20
      imagini favorabile a Romaniei in Cehia, atunci Simion Liftnicul =
contribuie=20
      dublu... Asa cum spuneam, dupa succesul cu Petru Cimpoesu au =
inceput sa-mi=20
      vina foarte multe oferte. O editura vrea sa publice doua volume =
din=20
      literatura romana, alta editura chiar trei titluri, radioul vrea =
sa=20
      difuzeze o piesa radiofonica a lui Matei Visniec etc.<BR>Stiti, =
comentind=20
      acest eveniment =97 Premiul Magnesia Litera =97 cu colegul meu =
Dobromir=20
      Grigorov, lector de limba bulgara la Universitatea Carolina din =
Praga si=20
      specialist in literatura ceha, el insusi traducator, mi-a =
marturisit cu=20
      tristete si cu putina invidie ca literatura bulgara e foarte putin =

      cunoscuta in Cehia, fiindca nu are un Na&#711;sinec, asa cum are =
literatura=20
      romana...<BR>Dar nici literatura bulgara nu are un Cimpoesu...=20
      intr-adevar, literatura romana actuala, ma refer in special la =
perioada de=20
      dupa 1989, este mult mai bine cunoscuta in Cehia decit literatura =
bulgara=20
      sau chiar decit alte literaturi din Est.<BR><BR><B>De ce l-am =
propus pe=20
      Mircea Eliade la Editura H&amp;H</B><BR>Revenind la Mircea Eliade, =
cum ati=20
      reusit sa publicati Memoriile sale, dat fiind ca librariile abunda =
in=20
      acest gen de literatura?<BR>Dorinta de a traduce Memoriile dateaza =
din=20
      anii =9280, cind cu ajutorul lui Andrei Nestorescu am intrat in =
posesia unui=20
      numar al Revistei de istorie si teorie literara unde aparusera =
fragmente=20
      din amintirile lui Eliade. Tin bine minte ca ma impresionase =
detentia sa=20
      de la Miercurea Ciuc, perioada din Anglia, anii petrecuti in =
Portugalia...=20
      Stiti, aveau gustul unui fruct oprit. in acelasi timp, primisem o =
copie=20
      xerox a volumului aparut la Madrid. in felul acesta am putut sa-mi =
fac o=20
      imagine de ansamblu asupra textului Memoriilor lui Eliade... =
<BR>De aceea,=20
      imediat ce au fost publicate in 1991 la Editura Humanitas din =
Bucuresti,=20
      am inceput sa ma gindesc serios la posibilitatea de a le traduce =
integral=20
      in limba ceha. Data fiind situatia social-economica din Cehia de =
dupa=20
      1989, m-am gindit la un moment dat sa particip la emisiunea =
Milionarul de=20
      la TV Nova ca sa cistig bani pentru a le putea publica... Mi-era =
teama=20
      insa ca nu cumva sa pic la prima intrebare, de genul =84Cine este =
amantul=20
      Pamelei Anderson?=93. Pina la urma n-a mai fost nevoie sa recurg =
la=20
      asta...<BR><BR>intr-o zi ma suna Viktor Bezd=EDc&#711;ek, redactor =
la Editura=20
      H&amp;H din Praga, ca sa-mi propuna sa traduc Memoriile lui Fiodor =

      Saleapin din franceza in ceha. I-am multumit pentru oferta, insa =
l-am=20
      intrebat de ce din franceza si nu din limba rusa... in final, am =
adaugat=20
      ca as avea nevoie de citeva zile ca sa ma documentez. Ei bine, am =
inceput=20
      sa ma informez si am =84descoperit=93 ca, intr-adevar, Memoriile =
lui Fiodor=20
      Saleapin fusesera traduse, din rusa, in perioada interbelica. Cind =
i-am=20
      relatat lui V. Bezd=EDc&#711;ek acest amanunt, el s-a simtit =
incomod din pricina=20
      sugestiei pe care mi-o facuse, iar ca sa se revanseze, mi-a propus =
sa aleg=20
      eu un autor pentru colectia Memorii. Va dati seama ca imediat i-am =
si=20
      propus textul lui Mircea Eliade. <BR>in cadrul lansarii volumului =
Pame&#711;ti=20
      (Memorii), organizata de Editura H&amp;H si Institutul Cultural =
Roman din=20
      Praga, ati vorbit despre intentia pe care ati avut-o publicind =
Memoriile=20
      lui Mircea Eliade. De ce ati dorit sa existe in ceha aceasta=20
      lucrare?<BR><BR>Asa cum spuneam atunci, intentia mea a fost sa-i =
prezint=20
      cititorului de limba ceha nu doar textul propriu-zis al =
Memoriilor, ci=20
      ceva mult mai mult. Dat fiind ca traducerea se adreseaza unui =
public=20
      strain, acesta trebuia introdus in perioada respectiva, adica in =
contextul=20
      interbelic romanesc. in acest scop, pe linga traditionalul Indice =
de nume,=20
      am adaugat o prezentare sumara a personalitatilor la care se face=20
      referinta in text, printre care Haig Acterian, Felix Aderca, =
Mihail=20
      Sebastian, Mihail Sadoveanu, Ioan Slavici, Zaharia Stancu, Lucian =
Blaga,=20
      Ernst Bernea, Nichifor Crainic, G. Calinescu, Mircea Vulcanescu, =
dar si=20
      Iuliu Maniu, Lucretiu Patrascanu, Ion Antonescu, Carol al II-lea, =
Ana=20
      Pauker s.a. Am inclus apoi citeva fotografii =96 care il =
reprezinta pe M.=20
      Eliade la diferite virste si in diferite ipostaze, dar si ale unor =

      personalitati ale vremii =96 si am reprodus o scrisoare pe care =
Mircea=20
      Eliade mi-a expediat-o cu doua luni inainte de moarte. Am tinut ca =
volumul=20
      sa cuprinda si fotografii, ceea ce unui cititor roman i se poate =
parea=20
      banal... Cred insa ca cititorul ceh de nivel mediu nu stie cum =
aratau Ion=20
      Antonescu sau regele Carol, de exemplu... <BR>in final, =
dumneavoastra=20
      semnati o postfata pe care ati intitulat-o Kr=E1tkozraky=B4 =
intelektu=E1l mezi=20
      cholerou a morem (Intelectualul miop intre ciuma si holera), o =
foarte=20
      incitanta pledoarie pentru cunoasterea in profunzime a lui Eliade. =

      <BR>Postfata a fost scrisa la indemnul editurii, intrucit =
redactorul=20
      responsabil voia sa stie cum a fost cu angajarea lui in miscarea=20
      legionara... Or, eu trebuia sa limpezesc putin lucrurile... De =
aceea,=20
      mi-am propus sa-l introduc pe Eliade in contextul sau istoric =
imediat. Cit=20
      priveste titlul, am optat pentru el deoarece s-a afirmat ca Eliade =
ar fi=20
      cochetat si cu comunismul intr-o anumita perioada=85 <BR><BR>Cu ce =
probleme=20
      v-ati confruntat pe parcursul traducerii Memoriilor?<BR>Cea mai =
mare=20
      problema a fost extraliterara... Mai toate numele proprii, de =
exemplu,=20
      cele portugheze, erau scrise gresit =96 probabil ca cei de la =
Editura=20
      Humanitas s-au grabit =96 apoi transliterarea numelor indiene in =
limba ceha=20
      se face dupa alte principii, ceea ce m-a determinat sa-i consult =
pe=20
      indologii nostri=85 Am descoperit ca Maestrul insusi avea greseli =
sau poate=20
      ca era greseala celui care a cules dupa manuscrisul lui Eliade: =
numele=20
      unor personalitati nu erau scrise consecvent.<BR>Ecourile in presa =

      literara nu au intirziat sa apara. J. Plocek, in eseul Un =
intelectual in=20
      virtejul istoriei, aparut in revista Liter=E1rn=ED noviny, numarul =
din 21 mai=20
      2007, mentiona ca =84aparitia Memoriilor are o semnificatie =
deosebita,=20
      deoarece ii ofera cititorului ceh posibilitatea de a cunoaste =
universul=20
      eliadesc, precum si reflectiile omului, scriitorului si savantului =
care=20
      si-a trait viata cu o intensitate si un entuziasm de=20
      neimaginat=93.<BR>Tocmai de aceea spuneam ca atitudinea lui Eliade =
in acel=20
      context istoric este explicabila... Memoriile nu doar ca intregesc =

      imaginea lui Mircea Eliade in Cehia, ci le ofera cititorilor =
prilejul de a=20
      cunoaste poate cea mai zbuciumata epoca din istoria Romaniei, cea=20
      interbelica... <BR><BR><B>Cum am ratat intilnirea cu =
Maestrul</B><BR>Ce va=20
      leaga de Mircea Eliade? Ma gindesc ca numai asa se explica =
consecventa cu=20
      care i-ati tradus opera...<BR>Ceea ce m-a fascinat la Eliade e ca =
facea o=20
      punte intre cultura occidentala si cea orientala. Fantasticul lui =
e cu=20
      totul deosebit... si imi pare rau ca unii scriitorii, cum ar fi =
Dan Brown,=20
      fructifica ceea ce Eliade scria la un nivel filozofic mult mai =
ridicat, cu=20
      cel putin 30 de ani in urma, pentru un public foarte restrins din =
exil...=20
      <BR>Regret, de asemenea, ca nu mi-a fost dat sa-l cunosc pe =
Maestru=20
      personal. in anii 1985-1986 am primit o invitatie din partea =
Academiei=20
      Romano-Americane pentru un sejur la Paris unde l-as fi cunoscut pe =
Eliade,=20
      dar nu mi s-a permis sa plec, nu eram membru de partid... Eliade =
imi=20
      scrisese ca fusese placut surprins cind a aflat ca figureaza in =
antologia=20
      Cinci nuvele romanesti, pe care am scos-o la Editura pragheza =
Odeon. A=20
      fost impresionat deoarece era vorba de prima aparitie in =
strainatate a=20
      Domnisoarei Cristina.<BR>Cititorii cehi sint familiarizati de =
multa vreme=20
      cu opera lui Mircea Eliade. Totusi, inainte de 1989, intrucit =
numele lui=20
      Eliade se asocia cu istoria religiilor, o disciplina incompatibila =
cu=20
      regimurile de tip sovietic, traducerile din opera sa au fost =
sporadice.=20
      <BR><BR>in linii mari, inainte de 1989 receptarea lui M. Eliade in =
Cehia a=20
      urmat aceeasi traiectorie ca si in alte tari foste socialiste. =
Eliade era=20
      etichetat ca autor antimarxist, iar numele sau era asociat cu =
istoria=20
      religiilor, un domeniu strain regimurilor de tip sovietic... De =
aceea,=20
      inainte de =9289 era destul de dificil sa-l traduci... Nu trebuie =
insa uitat=20
      ca au existat si exceptii de la aceasta regula, si anume Polonia, =
unde=20
      aparuse chiar o monografie a lui Jerzy Tokarski intitulata Mircea =
Eliade=20
      si Orientul.<BR>in Cehia, primul text, un fragment din Mitul =
eternei=20
      reintoarceri, s-a publicat in 1965 in revista Plamen (Flacara). =
Apoi s-au=20
      tradus Domnisoara Cristina (1984), La tiganci (1985), Sarpele =
(1986),=20
      Maitreyi si Nunta in cer (1989) s.a. <BR>Dupa schimbarile =
social-politice=20
      din 1989, in schimb, s-a produs un adevarat boom =
Eliade...<BR>intr-adevar,=20
      dupa 1989 au fost traduse in special studiile sale de istorie a =
religiilor=20
      =96 Sacrul si profanul (1994), Istoria credintelor si ideilor =
religioase=20
      (1995-1997), Mefistofel si Androginul (1997), De la Zalmoxis la=20
      Genghis-Han (1997), Mituri, vise si mistere (1998), Samanismul si=20
      tehnicile arhaice ale extazului (1997), Yoga. Nemurire si =
libertate=20
      (1999), Faurari si alchimisti (2000), Imagini si simboluri (2004), =

      Initieri, ritualuri, societati secrete: nasteri mistice (2004) =96 =
Eliade=20
      fiind receptat astazi in Cehia drept cel mai important si mai =
original=20
      reprezentant al stiintei mondiale a religiilor.<BR><BR>Dar sa =
precizam ca=20
      travaliul dumneavoastra de a-l familiariza pe cititorul ceh cu =
opera lui=20
      M. Eliade a inceput in 1984...<BR>Asa cum spuneam, primul text =
literar din=20
      Eliade s-a publicat in antologia Cinci nuvele romanesti, aparuta =
la=20
      Editura Odeon din Praga, care mai continea Adevarata moarte a lui =
Guynemer=20
      de Cezar Petrescu, imbratisarea mortului de Alexandru Philippide,=20
      Sakuntala de Vasile Voiculescu si Reconstituirea de Horia =
Patrascu, dupa=20
      care Lucian Pintilie a facut cunoscutul sau film... <BR>Dat fiind =
ca eu am=20
      facut selectia, am incercat sa =84strecor=93 si textul lui Eliade =
acoperit sub=20
      denumirea inocenta de Cinci nuvele romanesti si, spre marea mea =
uimire, am=20
      reusit. Astfel, i-am =84deschis=93 drumul lui Eliade; dupa =
publicarea acestui=20
      volum, cei insarcinati cu supravegherea, adica de fapt cu cenzura, =
nu mai=20
      puteau sa spuna ca a fost o greseala...<BR>in aceeasi perioada ati =
reusit=20
      sa =84strecurati=93 si un articol biobibliografic despre Eliade in =
Slovn=EDk=20
      rumunsky=B4ch spisovatelu&#730; (Dictionarul scriitorilor romani) =
pe care l-ati=20
      editat impreuna cu Maria Kafkov=E1, Libus&#711;e Valentov=E1 si =
Jtka Lukes&#711;ov=E1 in=20
      1984 la Praga.<BR>Stiti, era foarte greu sa faci un dictionar al=20
      literaturii romane pe atunci. Imaginati-va, cu posibilitatile =
modeste de=20
      documentare care existau la acea vreme... De multe ori a trebuit =
sa=20
      recurgem si la ajutorul Ambasadei Romaniei la Praga. imi amintesc =
ca=20
      atasatul cultural venea in fiecare saptamina cu o noua lista care =
continea=20
      alte nume interzise ce trebuiau scoase =96 de exemplu Sorin =
Alexandrescu,=20
      Horodinca etc. Dar fiindca acesti autori erau =84taiati=93, in =
locul lor=20
      trebuiau gasiti urgent altii ca sa putem inlocui articolele =
scoase, asta=20
      fiindca in contract era trecut numarul exact al scriitorilor pe =
care=20
      trebuia sa-l contina Dictionarul, iar noi trebuia sa respectam =
contractul,=20
      deci trebuia sa gasim alte nume, sa facem alte articole despre un =
alt=20
      scriitor care incepea cu aceeasi litera... Oricum, a fost primul =
dictionar=20
      al scriitorilor romani de dimensiuni mai mari aparut in=20
      strainatate.<BR><BR><B>I-am tradus pe Vladimir Besleaga si Aureliu =

      Busuioc</B><BR>intre timp, ati publicat o a doua editie a =
Dictionarului =96=20
      Slovn=EDk rumunsky=B4ch spisovatelu&#730;, coordonata de =
Libus&#711;e Valentov=E1 si=20
      aparuta la Editura Libri, in 2001, mult mai completa, care =
cuprinde si=20
      scriitori din Republica Moldova.<BR>De data aceasta, i-am cooptat =
si pe=20
      Vitalie Ciobanu si pe Vasile Garnet, care au scris articolele =
despre=20
      scriitorii de la Chisinau. in plus, in prefata, Vitalie Ciobanu =
ofera o=20
      excelenta prezentare a literaturii din Republica Moldova.<BR>Ce =
autori din=20
      literatura postbelica ati mai tradus?<BR>Traducerile mele din =
literatura=20
      postbelica romaneasca se limiteaza in principiu la trei nume: Radu =

      Tudoran, Laurentiu Fulga si Ion D. Sirbu. Mai ales ultimul mi-a =
atins=20
      coarda sensibila, dar din pacate datoria morala de a-i traduce =
capodopera=20
      Adio, Europa ramine inca neachitata. Stiti, imi propusesem sa-mi =
largesc=20
      raza de actiune deoarece si la noi, ca si in Europa Occidentala, =
se=20
      formase un cliseu de receptare a literaturii romane care era =
redusa la=20
      =84cei trei Magi de la Rasarit=93: Eliade, Cioran si =
Ionescu...<BR>Cu toate=20
      acestea, ati tradus si din Eugen Ionescu! <BR><BR>Da, fiindca si =
in cazul=20
      lui Ionescu am simtit o datorie morala, fiindca el a fost primul=20
      reprezentant al elitei intelectuale pariziene care a protestat =
vehement=20
      impotriva invaziei trupelor Tratatului de la Varsovia in =
Cehoslovacia in=20
      august 1968. Bineinteles ca dupa aceea piesele lui au fost scoase =
din=20
      repertoriul teatrelor din Cehoslovacia, tot ce a scris dupa 1968 =
raminea=20
      necunoscut. Deci m-am apucat de lucru si am tradus singurul sau =
roman,=20
      insinguratul, si volumul de nuvele Fotografia colonelului.<BR>Cum =
ati=20
      ajuns la literatura din Basarabia?<BR>Cu totul intimplator. Prin =
=9285-=9286,=20
      pe cind lucram la Editura Odeon. Desi eram la sectia =84Literaturi =
de limbi=20
      romanice=93, propunerea de a-l traduce pe Vladimir Besleaga mi-a =
venit din=20
      partea sectiei de limbi slave: regretatul meu coleg Kamil =
Chrob=E1k citise=20
      romanul in rusa si ii placuse. Eu am acceptat, zicindu-mi ca =
trebuie sa=20
      fac ceva pentru acesti oameni uitati de Dumnezeu. Nu stiam ca =
Vladimir=20
      Besleaga scrisese o teza de doctorat despre Proust si ca fusese =
influentat=20
      de el. De aceea trebuia sa citesc fiecare fraza cu voce tare ca =
sa-i=20
      inteleg ritmul... Zbor frint e un roman foarte indraznet pentru =
vremea=20
      respectiva. Stilul intortocheat corespunde cu viata spirituala a =
eroului=20
      principal. De fapt, e un antierou foarte simpatic...<BR><BR>Ce =
ecou a avut=20
      Zbor frint?<BR>in presa literara ceha au aparut citeva cronici=20
      pozitive...<BR>Un alt autor basarabean pe care l-ati tradus =
recent, in=20
      2003, a fost Aureliu Busuioc.<BR>Romanul Pactizind cu diavolul =
l-am=20
      descoperit traducind articolul lui Vitalie Ciobanu pentru =
Dictionarul=20
      nostru. Nu puteam sa nu i-l cer lui Vitalie, iar el mi l-a trimis =
imediat=20
      si cind am inceput sa-l citesc mi-am zis ca trebuie sa-l traduc =
macar=20
      pentru sertar. Atunci o prietena mi-a sugerat sa candidez pentru o =
bursa,=20
      in felul acesta editura fiind scutita de a-mi plati onorariul... =
Erau=20
      depuse 42 de cereri, iar eu am fost pe locul al doilea. <BR>Ecoul =
pe care=20
      l-a avut acest roman al lui Busuioc a fost enorm.<BR>intr-adevar, =
au=20
      aparut vreo opt recenzii care s-au publicat in diverse reviste de =
la=20
      Katolicky=B4 tr&#711;den=EDk (Saptaminalul catolic) pina la =
Hospod=E1r&#711;sk=E9 noviny=20
      (Gazeta economica). Postul de radio Europa Libera a dedicat o =
emisiune=20
      intreaga traducerii in ceha a romanului. Am primit si o mentiune =
din=20
      partea Uniunii Traducatorilor...<BR><BR>Ce v-a impresionat in=20
      roman?<BR>Materialul ca atare si tehnica =84cinematografica=93 a =
romanului,=20
      care e foarte interesanta...<BR>- Literatura din Basarabia s-a=20
      emancipat<BR>Dupa aceste doua traduceri ati avut ideea de a le =
propune=20
      studentilor un curs de literatura romana din Republica Moldova. =
Dupa cite=20
      stiu, la nici o universitate din Romania nu se preda literatura =
romana din=20
      Republica Moldova sub forma unui curs universitar inclus in planul =
de=20
      invatamint...<BR><BR>Pacat... Am inceput sa tin acest curs din =
2004=20
      bazindu-ma, bineinteles, pe Istoria lui Mihai Cimpoi, caci =
posibilitatile=20
      noastre de-a cobori ad fontes sint destul de limitate, iar =
literatura=20
      basarabeana ramine in continuare pentru cititorii cehi un fel de =
terra=20
      incognita. Cu timpul as vrea sa traduc si proza de Iulian Ciocan, =
Nicolae=20
      Rusu, Vitalie Ciobanu si alte romane de-ale lui Aureliu Busuioc. =
Dar aici=20
      apare un inconvenient... Daca scriitorii din Romania sint =
subventionati de=20
      ICR, de Uniunea Europeana, cei din Basarabia nu au acest =
privilegiu, asa=20
      ca trebuie sa apelez la editori care ar fi dispusi sa-si asume =
riscul de-a=20
      iesi in pierdere, ceea ce nu e tocmai usor. Ma deranjeaza ca la =
Bucuresti=20
      uneori se manifesta o atitudine de condescendenta fata de =
scriitorii din=20
      Basarabia... Cit priveste autorii pe care i-am citat, uneori mi se =
par=20
      mult mai vii, mai dinamici, mai sinceri si, in orice caz, mai =
putin=20
      exhibitionisti decit cei din tara, parca simti viata cind ii =
citesti...=20
      Aceeasi impresie am avut-o citind citiva scriitori din Qu=E9bec in =

      comparatie cu cei din Franta...<BR>Credeti ca se poate vorbi de un =
nou val=20
      al prozei basarabene?<BR>Ma bucur sa constat ca literatura din =
Basarabia=20
      s-a emancipat si nu mai are idoli la Bucuresti. Adica a scapat de =
acest=20
      complex de inferioritate... Da, cred ca abia generatia =9280 a =
facut acest=20
      salt =96 Ciocan, Crudu s.a., sa nu mai vorbesc de o pleiada =
intreaga de=20
      poeti. <BR><BR>Cum ati conceput cursul? Cum l-ati structurat, pe =
autori=20
      sau pe perioade? Ce material bibliografic folositi, deoarece =
dictionarele=20
      literaturii romane nu prea contin si autori basarabeni... <BR>Ca =
sa dam un=20
      exemplu, monumentala Istorie a literaturii romane contemporane. =
1941-2000,=20
      a lui Alex. Stefanescu, de 1175 de pagini, acorda un spatiu modic=20
      literaturii romane din Basarabia, doar doua pagini, dintre care =
jumatate=20
      sint fotografii...<BR>Optez pentru anumiti autori care ilustreaza =
o=20
      anumita perioada... sau pentru o anumita revista. De exemplu, =
infiintarea=20
      revistei Viata Basarabiei cu un proclamat regionalism basarabean =
este=20
      foarte sugestiva pentru perioada interbelica. Dupa cel de-al =
Doilea Razboi=20
      Mondial, impart scriitorii in generatii...<BR>Ati mai putea sa =
traduceti,=20
      ca pe timpuri, ceva impus, planificat?<BR>Categoric, nu. Nu as mai =
putea=20
      traduce daca nu simt anumite afinitati cu autorul, pur si simplu =
nu merge=20
      fara o anumita empatie care ma stimuleaza... in cazul lui Petru =
Cimpoesu,=20
      a fost o placere... imi spuneam =84Asa as scrie si eu daca as =
sti=93...=20
      <BR><BR>Interviu realizat de Eugenia BOJOGA</DIV></FONT>
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      size=3D1><B>&nbsp;&nbsp;Nr.</B></FONT>&nbsp;</FONT></TD>
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value=3D405>405</OPTION>=20
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value=3D402>402</OPTION>=20
        <OPTION value=3D401>401</OPTION> <OPTION =
value=3D400>400</OPTION> <OPTION=20
        value=3D399>399</OPTION> <OPTION value=3D398>398</OPTION> =
<OPTION=20
        value=3D397>397</OPTION> <OPTION value=3D396>396</OPTION> =
<OPTION=20
        value=3D395>395</OPTION> <OPTION value=3D394>394</OPTION> =
<OPTION=20
        value=3D393>393</OPTION> <OPTION value=3D392>392</OPTION> =
<OPTION=20
        value=3D391>391</OPTION> <OPTION value=3D390>390</OPTION> =
<OPTION=20
        value=3D389>389</OPTION> <OPTION value=3D388>388</OPTION> =
<OPTION=20
        value=3D387>387</OPTION> <OPTION value=3D386>386</OPTION> =
<OPTION=20
        value=3D385>385</OPTION> <OPTION value=3D384>384</OPTION> =
<OPTION=20
        value=3D383>383</OPTION> <OPTION value=3D382>382</OPTION> =
<OPTION=20
        value=3D381>381</OPTION> <OPTION value=3D380>380</OPTION> =
<OPTION=20
        value=3D379>379</OPTION> <OPTION value=3D378>378</OPTION> =
<OPTION=20
        value=3D377>377</OPTION> <OPTION value=3D376>376</OPTION> =
<OPTION=20
        value=3D375>375</OPTION> <OPTION value=3D374>374</OPTION> =
<OPTION=20
        value=3D373>373</OPTION> <OPTION value=3D372>372</OPTION> =
<OPTION=20
        value=3D371>371</OPTION> <OPTION value=3D370>370</OPTION> =
<OPTION=20
        value=3D369>369</OPTION> <OPTION value=3D368>368</OPTION> =
<OPTION=20
        value=3D366-367>366-367</OPTION> <OPTION =
value=3D365>365</OPTION> <OPTION=20
        value=3D364>364</OPTION> <OPTION value=3D363>363</OPTION> =
<OPTION=20
        value=3D362>362</OPTION> <OPTION value=3D361>361</OPTION> =
<OPTION=20
        value=3D360>360</OPTION> <OPTION value=3D359>359</OPTION> =
<OPTION=20
        value=3D358>358</OPTION> <OPTION value=3D357>357</OPTION> =
<OPTION=20
        value=3D356>356</OPTION> <OPTION value=3D355>355</OPTION> =
<OPTION=20
        value=3D354>354</OPTION> <OPTION =
value=3D352-353>352-353</OPTION> <OPTION=20
        value=3D351>351</OPTION> <OPTION value=3D350>350</OPTION> =
<OPTION=20
        value=3D349>349</OPTION> <OPTION value=3D348>348</OPTION> =
<OPTION=20
        value=3D347>347</OPTION> <OPTION value=3D346>346</OPTION> =
<OPTION=20
        value=3D345>345</OPTION> <OPTION value=3D344>344</OPTION> =
<OPTION=20
        value=3D343>343</OPTION> <OPTION value=3D342>342</OPTION> =
<OPTION=20
        value=3D341>341</OPTION> <OPTION value=3D340>340</OPTION> =
<OPTION=20
        value=3D339>339</OPTION> <OPTION value=3D338>338</OPTION> =
<OPTION=20
        value=3D337>337</OPTION> <OPTION value=3D336>336</OPTION> =
<OPTION=20
        value=3D335>335</OPTION> <OPTION value=3D334>334</OPTION> =
<OPTION=20
        value=3D333>333</OPTION> <OPTION value=3D332>332</OPTION> =
<OPTION=20
        value=3D331>331</OPTION> <OPTION value=3D330>330</OPTION> =
<OPTION=20
        value=3D329>329</OPTION> <OPTION value=3D328>328</OPTION> =
<OPTION=20
        value=3D327>327</OPTION> <OPTION value=3D326>326</OPTION> =
<OPTION=20
        value=3D325>325</OPTION> <OPTION value=3D324>324</OPTION> =
<OPTION=20
        value=3D323>323</OPTION> <OPTION value=3D322>322</OPTION> =
<OPTION=20
        value=3D321>321</OPTION> <OPTION value=3D320>320</OPTION> =
<OPTION=20
        value=3D319>319</OPTION> <OPTION =
value=3D317-318>317-318</OPTION> <OPTION=20
        value=3D316>316</OPTION> <OPTION value=3D315>315</OPTION> =
<OPTION=20
        value=3D314>314</OPTION> <OPTION value=3D313>313</OPTION> =
<OPTION=20
        value=3D312>312</OPTION> <OPTION value=3D311>311</OPTION> =
<OPTION=20
        value=3D310>310</OPTION> <OPTION value=3D309>309</OPTION> =
<OPTION=20
        value=3D308>308</OPTION> <OPTION value=3D307>307</OPTION> =
<OPTION=20
        value=3D306>306</OPTION> <OPTION value=3D305>305</OPTION> =
<OPTION=20
        value=3D304>304</OPTION> <OPTION =
value=3D302-303>302-303</OPTION> <OPTION=20
        value=3D300-301>300-301</OPTION> <OPTION =
value=3D299>299</OPTION> <OPTION=20
        value=3D298>298</OPTION> <OPTION value=3D297>297</OPTION> =
<OPTION=20
        value=3D296>296</OPTION> <OPTION value=3D295>295</OPTION> =
<OPTION=20
        value=3D294>294</OPTION> <OPTION value=3D293>293</OPTION> =
<OPTION=20
        value=3D292>292</OPTION> <OPTION value=3D291>291</OPTION> =
<OPTION=20
        value=3D290>290</OPTION> <OPTION value=3D289>289</OPTION> =
<OPTION=20
        value=3D288>288</OPTION> <OPTION value=3D287>287</OPTION> =
<OPTION=20
        value=3D286>286</OPTION> <OPTION value=3D285>285</OPTION> =
<OPTION=20
        value=3D284>284</OPTION> <OPTION value=3D283>283</OPTION> =
<OPTION=20
        value=3D282>282</OPTION> <OPTION value=3D281>281</OPTION> =
<OPTION=20
        value=3D280>280</OPTION> <OPTION value=3D279>279</OPTION> =
<OPTION=20
        value=3D278>278</OPTION> <OPTION value=3D277>277</OPTION> =
<OPTION=20
        value=3D276>276</OPTION> <OPTION value=3D275>275</OPTION> =
<OPTION=20
        value=3D274>274</OPTION> <OPTION value=3D273>273</OPTION> =
<OPTION=20
        value=3D272>272</OPTION> <OPTION value=3D271>271</OPTION> =
<OPTION=20
        value=3D270>270</OPTION> <OPTION value=3D269>269</OPTION> =
<OPTION=20
        value=3D268>268</OPTION> <OPTION =
value=3D266-267>266-267</OPTION> <OPTION=20
        value=3D265>265</OPTION> <OPTION value=3D264>264</OPTION> =
<OPTION=20
        value=3D263>263</OPTION> <OPTION value=3D262>262</OPTION> =
<OPTION=20
        value=3D261>261</OPTION> <OPTION value=3D260>260</OPTION> =
<OPTION=20
        value=3D259>259</OPTION> <OPTION value=3D258>258</OPTION> =
<OPTION=20
        value=3D257>257</OPTION> <OPTION value=3D256>256</OPTION> =
<OPTION=20
        value=3D254-255>254-255</OPTION> <OPTION =
value=3D252-253>252-253</OPTION>=20
        <OPTION value=3D251>251</OPTION> <OPTION =
value=3D250>250</OPTION> <OPTION=20
        value=3D249>249</OPTION> <OPTION value=3D248>248</OPTION> =
<OPTION=20
        value=3D247>247</OPTION> <OPTION value=3D246>246</OPTION> =
<OPTION=20
        value=3D245>245</OPTION> <OPTION value=3D244>244</OPTION> =
<OPTION=20
        value=3D243>243</OPTION> <OPTION value=3D242>242</OPTION> =
<OPTION=20
        value=3D241>241</OPTION> <OPTION value=3D240>240</OPTION> =
<OPTION=20
        value=3D239>239</OPTION> <OPTION value=3D238>238</OPTION> =
<OPTION=20
        value=3D237>237</OPTION> <OPTION value=3D236>236</OPTION> =
<OPTION=20
        value=3D235>235</OPTION> <OPTION value=3D234>234</OPTION> =
<OPTION=20
        value=3D233>233</OPTION> <OPTION value=3D232>232</OPTION> =
<OPTION=20
        value=3D231>231</OPTION> <OPTION value=3D230>230</OPTION> =
<OPTION=20
        value=3D229>229</OPTION> <OPTION value=3D228>228</OPTION> =
<OPTION=20
        value=3D227>227</OPTION> <OPTION value=3D226>226</OPTION> =
<OPTION=20
        value=3D225>225</OPTION> <OPTION value=3D224>224</OPTION> =
<OPTION=20
        value=3D223>223</OPTION> <OPTION value=3D222>222</OPTION> =
<OPTION=20
        value=3D221>221</OPTION> <OPTION value=3D220>220</OPTION> =
<OPTION=20
        value=3D219>219</OPTION> <OPTION value=3D218>218</OPTION> =
<OPTION=20
        value=3D217>217</OPTION> <OPTION =
value=3D215-216>215-216</OPTION> <OPTION=20
        value=3D214>214</OPTION> <OPTION value=3D213>213</OPTION> =
<OPTION=20
        value=3D212>212</OPTION> <OPTION value=3D211>211</OPTION> =
<OPTION=20
        value=3D210>210</OPTION> <OPTION value=3D209>209</OPTION> =
<OPTION=20
        value=3D208>208</OPTION> <OPTION value=3D207>207</OPTION> =
<OPTION=20
        value=3D206>206</OPTION> <OPTION value=3D205>205</OPTION> =
<OPTION=20
        value=3D204>204</OPTION> <OPTION value=3D203>203</OPTION> =
<OPTION=20
        value=3D201-202>201-202</OPTION> <OPTION =
value=3D199-200>199-200</OPTION>=20
        <OPTION value=3D198>198</OPTION> <OPTION =
value=3D197>197</OPTION> <OPTION=20
        value=3D196>196</OPTION> <OPTION value=3D195>195</OPTION> =
<OPTION=20
        value=3D194>194</OPTION> <OPTION value=3D193>193</OPTION> =
<OPTION=20
        value=3D192>192</OPTION> <OPTION value=3D191>191</OPTION> =
<OPTION=20
        value=3D190>190</OPTION> <OPTION value=3D189>189</OPTION> =
<OPTION=20
        value=3D188>188</OPTION> <OPTION value=3D187>187</OPTION> =
<OPTION=20
        value=3D186>186</OPTION> <OPTION value=3D185>185</OPTION> =
<OPTION=20
        value=3D184>184</OPTION> <OPTION value=3D183>183</OPTION> =
<OPTION=20
        value=3D182>182</OPTION> <OPTION value=3D181>181</OPTION> =
<OPTION=20
        value=3D180>180</OPTION> <OPTION value=3D179>179</OPTION> =
<OPTION=20
        value=3D178>178</OPTION> <OPTION value=3D177>177</OPTION> =
<OPTION=20
        value=3D176>176</OPTION> <OPTION value=3D175>175</OPTION> =
<OPTION=20
        value=3D174>174</OPTION> <OPTION value=3D173>173</OPTION> =
<OPTION=20
        value=3D172>172</OPTION> <OPTION value=3D171>171</OPTION> =
<OPTION=20
        value=3D170>170</OPTION> <OPTION value=3D169>169</OPTION> =
<OPTION=20
        value=3D168>168</OPTION> <OPTION value=3D167>167</OPTION> =
<OPTION=20
        value=3D165-166>165-166</OPTION> <OPTION =
value=3D164>164</OPTION> <OPTION=20
        value=3D163>163</OPTION> <OPTION value=3D162>162</OPTION> =
<OPTION=20
        value=3D161>161</OPTION> <OPTION value=3D160>160</OPTION> =
<OPTION=20
        value=3D159>159</OPTION> <OPTION value=3D158>158</OPTION> =
<OPTION=20
        value=3D157>157</OPTION> <OPTION value=3D156>156</OPTION> =
<OPTION=20
        value=3D155>155</OPTION> <OPTION value=3D154>154</OPTION> =
<OPTION=20
        value=3D153>153</OPTION> <OPTION value=3D152>152</OPTION> =
<OPTION=20
        value=3D151>151</OPTION> <OPTION =
value=3D149-150>149-150</OPTION> <OPTION=20
        value=3D147-148>147-148</OPTION> <OPTION =
value=3D146>146</OPTION> <OPTION=20
        value=3D145>145</OPTION> <OPTION value=3D144>144</OPTION> =
<OPTION=20
        value=3D143>143</OPTION> <OPTION value=3D142>142</OPTION> =
<OPTION=20
        value=3D141>141</OPTION> <OPTION value=3D140>140</OPTION> =
<OPTION=20
        value=3D139>139</OPTION> <OPTION value=3D138>138</OPTION> =
<OPTION=20
        value=3D137>137</OPTION> <OPTION value=3D136>136</OPTION> =
<OPTION=20
        value=3D135>135</OPTION> <OPTION value=3D134>134</OPTION> =
<OPTION=20
        value=3D133>133</OPTION> <OPTION value=3D132>132</OPTION> =
<OPTION=20
        value=3D131>131</OPTION> <OPTION value=3D130>130</OPTION> =
<OPTION=20
        value=3D129>129</OPTION> <OPTION value=3D128>128</OPTION> =
<OPTION=20
        value=3D127>127</OPTION> <OPTION value=3D126>126</OPTION> =
<OPTION=20
        value=3D125>125</OPTION> <OPTION value=3D124>124</OPTION> =
<OPTION=20
        value=3D123>123</OPTION> <OPTION value=3D122>122</OPTION> =
<OPTION=20
        value=3D121>121</OPTION> <OPTION value=3D120>120</OPTION> =
<OPTION=20
        value=3D119>119</OPTION> <OPTION value=3D118>118</OPTION> =
<OPTION=20
        value=3D117>117</OPTION> <OPTION value=3D116>116</OPTION> =
<OPTION=20
        value=3D115>115</OPTION> <OPTION value=3D114>114</OPTION> =
<OPTION=20
        value=3D113>113</OPTION> <OPTION value=3D112>112</OPTION> =
<OPTION=20
        value=3D111>111</OPTION> <OPTION value=3D110>110</OPTION> =
<OPTION=20
        value=3D109>109</OPTION> <OPTION value=3D108>108</OPTION> =
<OPTION=20
        value=3D107>107</OPTION> <OPTION value=3D106>106</OPTION> =
<OPTION=20
        value=3D105>105</OPTION> <OPTION value=3D104>104</OPTION> =
<OPTION=20
        value=3D103>103</OPTION> <OPTION value=3D102>102</OPTION> =
<OPTION=20
        value=3D101>101</OPTION> <OPTION value=3D100>100</OPTION> =
<OPTION=20
        value=3D99>99</OPTION> <OPTION value=3D97-98>97-98</OPTION> =
<OPTION=20
        value=3D95-96>95-96</OPTION> <OPTION value=3D94>94</OPTION> =
<OPTION=20
        value=3D93>93</OPTION> <OPTION value=3D92>92</OPTION> <OPTION=20
        value=3D91>91</OPTION> <OPTION value=3D90>90</OPTION> <OPTION=20
        value=3D89>89</OPTION> <OPTION value=3D88>88</OPTION> <OPTION=20
        value=3D87>87</OPTION> <OPTION value=3D86>86</OPTION> <OPTION=20
        value=3D85>85</OPTION> <OPTION value=3D84>84</OPTION> <OPTION=20
        value=3D83>83</OPTION> <OPTION value=3D82>82</OPTION> <OPTION=20
        value=3D81>81</OPTION> <OPTION value=3D80>80</OPTION> <OPTION=20
        value=3D79>79</OPTION> <OPTION value=3D78>78</OPTION> <OPTION=20
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